Description
Rosie’s Disobedient Press presents TENEU, a new bookwork featuring specially commissioned contributions by artists Helen Charman, Adrien Howard, Francis Jones, Mason Leaver-Yap, Joey Simons, Joanna Stawnicka, Lisette May Monroe, and Martha Adonai Williams, with illustrations by Sasha Staicu.
The project focuses on the mythology of Teneu, also known as St. Enoch, Glasgow’s forgotten mediaeval first mother and parent to St. Mungo, the city’s patron saint. St. Enoch is rumoured to be buried under the shopping centre in Glasgow that bears her name – and which, in fact, is the only place in Glasgow that her name can be found at all. The St. Enoch Centre is the city’s largest shopping centre, an enormous glass pyramid that dominates the site in which it is situated. Rosie’s views Teneu as a way of narrating the complexities and the heartbeats of a city that everyone who has contributed to the collection has at some point called home. The work is a collective response to Teneu and her histories. It asks: who gets to be included in the mythologies of the places in which we live?
TENEU was commissioned as part of Glasgow International 2024.
At Rosie’s, we always split the profits from our publications between ourselves and other organisations. For the Teneu 2021 project, we donated funds to the Glasgow-based charity Ubuntu. For this edition, we will be splitting our donations between Ubuntu and Medical Aid for Palestine.
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TENEU 2024
Published by
Rosie’s Disobedient Press
Cover and Illustrations by
Sasha Staicu
Design
Mitchell F Gilles
First Printing in May 2024
In an edition of 400
Rosie’s Disobedient Press is supported by Jerwood Arts and Creative Scotland. This project is supported by Glasgow International with funds from the Scottish Government’s Festivals EXPO Fund.
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Teneu originally began as an audio work which can be accessed here -> https://rosiesdisobedient.press/teneu/ and was part of Glasgow International 2021. This work was written collaboratively by Adrien Howard and Lisette May Monroe.
It was translated and performed by Cass Ezeji with Soundscapes by Sean Patrick Campbell and David Scott. The audio was mixed by Jen Martin.
